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Young, an underground legend, authored the outlaw anthem "Lonesome Orn'ry & Mean," a signature tune for Jennings' dad. The first single is a wooly, rowdy reading of Steve Young's "White Trash Song," with Scott H. There are fine, midtempo honky tonkers including "The Outsider" and the pedal steel- and banjo-saturated "The Low Road." There are steamy, electric, country-kissed, blues-rock numbers such as "A Hard Lesson to Learn," and the rock & roll boogie of "Mama It's Just My Medicine." There's a shuffling, snarling, futuristic, midtempo Americana tune in "15 Million Light Years Away," with reverb-drenched production that features a weathered (not weary) Jim Dandy - from Black Oak Arkansas - as a duet partner. The set contains gorgeous country ballads such as "Wild and Lonesome" (with Patty Griffin on backing vocals) and the title track.
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It throws the listener for a loop, but resolutely belongs - but only as the first cut. The brooding opener "Flying Saucer Song," a piano- and effects-driven number, is eventually transformed into a spaced-out, gospel-tinged song about space (outer and inner). The Other Life is wilder, darker, rowdier, and more diverse than its predecessor. Six of these tracks were cut at the earlier album's sessions, including the firebrand "Outlaw You," the tune for the music video that was a musical middle finger to Eric Church and Jason Aldean (which has curiously gone unanswered). If 2012's Family Man was his most "country" album, The Other Life is its companion and mirror, not its follow-up. Shooter Jennings has always demanded to be taken on his own terms.